Essay on the Gay as a Literary Figure in The Picture of Dorian Gray

The Gay as a Literary Figure in The Picture of Dorian Grayâ â â â â â â Â â This paper will investigate the gay as an abstract figure dependent on Oscar Wilde's The Picture of Dorian Gray. The point of the paper is triple. Right off the bat, to show how the gay is identified with two of the most intense original pictures: those of Dionysos and Apollo. Furthermore, to show that the Wildean gay is significantly scared of life, and that his enthusiasm for structure and stylish extent lays on a guideline of avoidance. Thirdly, to fight that the silliness in this novel, and by expansion likewise in Wilde's plays, is a side effect of the creator's interest with an original gay. The Picture of Dorian Gray spins around Dorian's double nature. From one perspective, he is the youthful saint whose undertakings the novel records; on the other, he is a painted picture of unprecedented individual excellence. When Lord Henry reveals to him that his remarkable looks won't last, the youngster implores that he be permitted to stay as he is in Basil's representation of him. Dorian needs to make the most of his childhood for ever. His frantic wish is a key to the model elements which... ... inebriation and Apollonian structure; of Dionysian inclusion and Apollonian disconnection. He can appreciate the Dionysian delights to which he needs to surrender himself, however at an Apollonian separation. Works Cited Wilde, Oscar. The Picture of Dorian Gray. Ed. Isobel Murray. London: Oxford University Press, 1974. Wilde, Oscar. The Letters of Oscar Wilde. Ed. R. Hart-Davis. London: Hart-Davis, 1962. Jung, C.G. The Collected Works. Ed. Sir Herbert Read and so forth. London: Routledge and Kegan Paul, 1953-1976. Vol. 9.ii; standard. 73. Likewise CW 11.283. Â